B​-​Sides and Remixes, Vol. I

by Perturbator

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Kris Aroo
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Kris Aroo I was really suckered in with the cinematic, industrial New Model Perturbator 2.0 style, but this early stuff feels like a good mid-point between old and new. The vocals of Dead Astronauts compiled together with these mean bangers, make for a really awesome listening experience for people who crave tasty ass jams. History was made here. Can't wait to hear the new future sound of Perturbator wherever it may take us. If James wants to start doing country music then screw it, I'll be there.
nyarla07
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nyarla07 Un son bien lourd pour chaque piste, on en reprendra encore et encore.
Kyotofu
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Kyotofu By far the best part of the retrospective ! I seriously cannot believe how LEGENDARY those remixes are. Dead Astronauts is as always a safe bet, but i gotta give credit to the other tracks as well, just for how absurdly sick they are.
Seriously, that ending part on B Side just makes me travel through SO MANY great feelings !! Favorite track: B Side - (Dead Astronauts).
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    First pressing of the "B-Sides and Remixes, Vol. I" CD in digipack. Printed on 300gsm stock with a 6-panel panorama layout. New cover art by Ariel ZB. Internal layouts feature original Perturbator album art in its original pencil-drawn form.

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about

“B-sides and Remixes, Vol. I” is the first part in a two-hour, double volume retrospective, featuring nearly all of Perturbator's rare early work.

This double release allows one to revisit the glory early days of synthwave through the lens of Perturbator. Perturbator remains one of the key composers in a scene whose days were predicted as very short-lived, yet is growing daily towards reaching a decade of increasing popularity.

Volume I of the collection features nearly all of the remixes Perturbator created of other artists' works in the early days of synthwave. It was very normal for artists to remix each other to improve their skills and as a favor towards promoting each other, as well as the scene at large.

This material has been disparate prior to this release, existing on random Bandcamps, Soundclouds, and other various corners of the internet. Most of this material has never seen the light of day on vinyl, CD, nor even via iTunes, Spotify, or YouTube until now.

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released November 12, 2018

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